There are so many reviews around for 'Time Crash', many of which cover the same ground & many of which have already covered in blushing detail the ground I would cover, so I think it would be painfully redundant at this point to add another generic review to the slew!
What I have decided to do instead is crunch some numbers relating to Time Crash & Peter Davison in particular, hopefully in a fabulously insightful & didactic manner that will contextualise Davison's return to Dr Who & his performance in Time Crash in a fresh & enlightening fashion...Then I will loudly sigh, smoke a cigarette, roll over & go to sleep with my stuffed yeti...
Anyway,
Peter Davison returns to the role 23 years after his last regular appearance in 1984's 'Caves of Androzani' (no I'm not counting his 90 seconds of inane running around in that dog's dinner 'Dimensions In Time'). I also don't count the 'Big Finish' stuff; not because it's not great or because I contest its canon status (actually I do - but another time!), but because the voice is only half the performance, maybe even less. Davison slots his voice AND his body into the canon, as the 5th Doctor, for the first time in 23 years.
Why am I harping on about 23 years??. Well, it is by far the longest gap between drinks from the furry gallifreyan cup??!! (both as it were AND so to speak) for a returning Doctor. Believe it or not, in the case of Patrick Troughton, the previous record span holder, there was (only) a span of 16 years!! between his last regular appearance in 'War Games' (1969) & his third & final return in 'Two Doctors' (1985). Seven years short of Peter's mammoth 23 years & broken up twice. Pat's gap was divided thus, 3 years forward to the 'Three Doctors', ten hence to 'Five Doctors' & finally a brief 2 years to the 'Two Doctors'. In terms of 'keeping his eye in' as the Doctor, Pat's longest break without dusting off his giddy aunt & stroking his recorder was just 10 years.
The only other returning Doctors, Hartnell & Pertwee, had relatively brief spans of 7 years ('Tenth Planet' in '66 to Three Doctors in '73) & 9 years ('Planet of Spiders' in '74 to 'Five Doctors' in '83) respectively. This seems really quite bizarre to me. At the time of Pertwee's return in 'Five Doctors', it must have seemed aeons since he was the incumbent (let alone Troughton!), years stretching back through the two seasons of Davison & the entire Tom Baker era. 9 years is but a blink compared to Peter Davison's 23 year span. Whoops, I forgot the return of Sylv (a mere 7 years: Survival '89 to 'The Movie''96)...but who cares? The movie was shizen & after watching 'Silver Nemesis' last night, I don't want to think about Sly McCoy at the mo anyway.
Where is all this going? Well I guess I'm saying that for Pat & Jon to have been wonderful & effortlessly slip back into the role was not really such a feat. They were both superb of course, but it really shouldn't have been any other way. They had much shorter times away from the role & were always 'older' Doctors, so the change was never going to be too jarring. Davison however, who through his era embodied youth, vitality & often naive innocence in a refreshing slant on the character, is stuck with the problem of trying to authentically capture the same youthful spirit, 23 years on, lumbered with a (albiet well kept) 56 year old body. The tough question is how to pitch it? By far the youngest Doctor cast in the role in the original series (29 years in 1981), he is now one year older than William Hartnell was when Hartnell, the all-time oldest doctor at the time of his casting, was originally cast in the role. Considering all this, Peter does pretty well with the help of a mostly pretty tidy bit of fanboy fluff from S Moffatt.
The 'time differential' explanation was deftly tossed off so that it didn't seem too pointedly the fix up the 'older doctors' solution that it was. Perhaps with the 'time differential-ed' older body & older voice came the (somewhat out of character) grumpiness as well. I feel Davison's vibe was more 'impotent frustration' than 'stern grumpiness' when under stress during his tenure. However, considering his newly flagging middle aged hormones & 'greying' cells, Maybe the 5th Dr couldn't help being crabby & cantakerous when thrown into a desperate paradox situation with Tennant's charming (in this instance at least) boggle-eyed geek blabbing at him. It was also good to see the character stretched & developed just a little, rather than having it stunted by continuity fascism & the variable & limited writing of the 5th Doctor's own era. Such things should never be allowed to get in the way of good TV & more importantly, good Dr Who. Apart from having to say 'TARDIS' about five times too many for a 7 minute vignette & his first few technobabble lines seeming a bit forced through his smokers husk (not sure if he does?), Peter settles nicely & I smiled broadly watching Dr's 5 & 10 huddle over the console together in feverish Doctorisheness!
If Davison's 5th Doctor was a few yards of scarf & a few teeth & curls short of iconic prior to Time Crash (pretty much only Tom is truly iconic in the role, with the 'twee a distant second) he is now, at least in Britain. The biggest small-screen star in Britain, David Tennant (although I'd listen to you if you argued Davison himself is, or perhaps 'best loved' is more his mantle?), deliciously fetishised the 5th Doctor before the eyes of a mammoth 11 million viewers. He reminded us of Davison's very own 'teeth & curls'; "the hat, the coat, the crickety-cricket stuff, the stick of celery". This was done very pointedly. Moffat (ably helped by Mr Harper) has now lovingly established the 5th Doctor, his own favourite, as the charming british flavoured small screen sci-fi icon that he wasn't quite. Probably I didn't need quite so many qualifiers, 'Iconic' is perhaps enough on its own now when it comes to Davison's 5th. All done in just over 7 minutes.
Well done loves. The Doctor AND the TARDIS!! Congratulations & well played!!
Showing posts with label Graeme Harper. Show all posts
Showing posts with label Graeme Harper. Show all posts
Sunday, December 2, 2007
Sunday, August 19, 2007
A little spelunking in 'The Caves of Androzani'
Oh wondrous Caves! How deep & dark thine are!
I watched the DVD of Androzani a couple of days ago while I was in bed with a heavy cold (or perhaps lite-flu would be a more apt description). It was a first time viewing of the story on DVD for me & the first time I've watched it in several years. I was impressed at how well it held up. I was worried that its high standing in fan esteem was largely due to the ho-hum quality of many of the stories surrounding it. Thankfully, it seems, not so.
Firstly the faults. Nicola Bryant struggles with some awkward & unlikely dialouge. The scene early in episode 1 examining the lumps of fused silica where she fumbles with the terrible 'reticular vector gauge' joke, to which the Doctor replies sarcasm is not her stong point, is particularly cringeworthy. Her accent falters at times too, in that same 'joke', a very English sounding 'glaa-ass' grates in her faux-yank drawl. The characterisation of Peri was a troubling mess from the start really. The production team didn't seem to know what to do with her. There was half-baked botany bollocks, clunky American cliche crap & not much else. That aside, she does quite well in Caves & I much prefer her here than in 'Twin Dilemma' & most of season 22. She is quite sweet & innocent, a far cry from all the dreadful nagging & sarcasm she was lumbered with later.
The greatest fault however is the 'Mire Beast'; an absolutely wretched creation. It serves no important purpose & could just about be excised from the story all together by a nifty re-edit. It wears a cloak too?! What were they thinking? The caves themselves don't quite convince either. Studio floors with a bit of dirt thrown about don't cut it I'm afraid.
The pros? There are a wondrous multitude. Morgus is simply superb. Every deadpan line is a sweetmeat delicacy! Lines to camera almost never work, but Normington not only gets away with it, he leaves me wanting more. He turns the dastardly villian cliche inside out. There is no maniacal laughter or rubbing of hands; just simmering, unblinking malevolence. Stotz, Chellack & Salateen are all suitably shifty & self interested to varying degrees. The scene where Salateen laughingly realises his life will be spared by the Doctor & Peri having contracted Spectrox Toxaemia is particularly striking.
As with 'Resurrection of The Daleks', we have here a very dark story with very few (if any) sympathetic support characters, but Caves is all together more involving. Holmes' characters are more deeply textured & far more fascinating. Resurrection's convoluted nastiness just leaves me cold, but the unrelenting bleakness of Caves draws me in & leaves me breathless at times. Even the smaller parts add further richness to the piece; the icy & viciously efficient Krau Timmin a case in point. Her little side-plot victory over Morgus, dressing him down with her feet on his desk, is a marvellous touch.
Jek, like Morgus, is a masterful villian. Gable's voice & gestures are perfect. He conveys the complex character & its many contradictions using only these things & one eye. Once or twice he teeters on the edge of OTT, but always pulls back just in time. He & Morgus are a formidable duo. It is so rare in the history of the show to behold two classic humanoid villians in one story. Most stories have trouble raising one that is in any way memorable. Jek's love for Peri's innocence & beauty, which in the end almost redeems him, is beautifully played & utterly believable as she lays sweating, suffocating & barely conscious. Gable plays the desperation wonderfully; feverishly mopping her brow & trying to comfort her while the Doctor hunts for the bats milk.
Which brings me to Davison. I hope I haven't exhausted my superlative supply because he deserves to have lots of them shining on his sitting room mantle. The smiling, optimistic & energetic Doctor of early Davison era has been replaced by a stone dry, impatient, dour & no-nonsense demeanour that suits the story perfectly. Davison gives his swansong absolutely everything he has. His ailing Doctor, whether spitting out a very hard to deliver (but stunningly believable) "I'm not going to let you stop me now!", or panting & staggering through endless dunes while being chased & shot at, is compelling to watch.
I was impresssed by the effectiveness of the scenes of the Doctor being chased through the dunes & later carrying Peri back to the TARDIS. The grainy film stock & grey skies combine with the rumbling soundtrack to conjur some of the most striking scenes in the history of the show. This in an era that generally suffered from cheap glossy videotape, garish costumes & ham-fisted overhead lighting. Hats off to (Graeme) Harper! You forget for several minutes at a time this was an early/mid 80's JNT story! The incidental music, although uniformly strong through JNT's first few seasons, is particularly atmospheric & foreboding in Caves.
The Davison/ C. Baker regeneration is probably the greatest in the history of the show. The tension of the moment was never greater before or since. The Doctor saves Peri on the point of death & collapses with the immortal, fearful line that Davison nails; "Is this death? feels different this time". The Master's malicious taunts followed by the 'white noise' cacophany is the stuff of fan boy foam & froth. Stunning. Even Colin's brief moment shows qualified promise. He is immediately arrogant & salty, but with no warning of the mugging, bickering buffoon that would emerge in the worst moments of the following season. So not even the last scene can spoil the grandeur of Caves.
Caves...thou art shining with glowing phosphoresecent glory!....
Lucozer..
I watched the DVD of Androzani a couple of days ago while I was in bed with a heavy cold (or perhaps lite-flu would be a more apt description). It was a first time viewing of the story on DVD for me & the first time I've watched it in several years. I was impressed at how well it held up. I was worried that its high standing in fan esteem was largely due to the ho-hum quality of many of the stories surrounding it. Thankfully, it seems, not so.
Firstly the faults. Nicola Bryant struggles with some awkward & unlikely dialouge. The scene early in episode 1 examining the lumps of fused silica where she fumbles with the terrible 'reticular vector gauge' joke, to which the Doctor replies sarcasm is not her stong point, is particularly cringeworthy. Her accent falters at times too, in that same 'joke', a very English sounding 'glaa-ass' grates in her faux-yank drawl. The characterisation of Peri was a troubling mess from the start really. The production team didn't seem to know what to do with her. There was half-baked botany bollocks, clunky American cliche crap & not much else. That aside, she does quite well in Caves & I much prefer her here than in 'Twin Dilemma' & most of season 22. She is quite sweet & innocent, a far cry from all the dreadful nagging & sarcasm she was lumbered with later.
The greatest fault however is the 'Mire Beast'; an absolutely wretched creation. It serves no important purpose & could just about be excised from the story all together by a nifty re-edit. It wears a cloak too?! What were they thinking? The caves themselves don't quite convince either. Studio floors with a bit of dirt thrown about don't cut it I'm afraid.
The pros? There are a wondrous multitude. Morgus is simply superb. Every deadpan line is a sweetmeat delicacy! Lines to camera almost never work, but Normington not only gets away with it, he leaves me wanting more. He turns the dastardly villian cliche inside out. There is no maniacal laughter or rubbing of hands; just simmering, unblinking malevolence. Stotz, Chellack & Salateen are all suitably shifty & self interested to varying degrees. The scene where Salateen laughingly realises his life will be spared by the Doctor & Peri having contracted Spectrox Toxaemia is particularly striking.
As with 'Resurrection of The Daleks', we have here a very dark story with very few (if any) sympathetic support characters, but Caves is all together more involving. Holmes' characters are more deeply textured & far more fascinating. Resurrection's convoluted nastiness just leaves me cold, but the unrelenting bleakness of Caves draws me in & leaves me breathless at times. Even the smaller parts add further richness to the piece; the icy & viciously efficient Krau Timmin a case in point. Her little side-plot victory over Morgus, dressing him down with her feet on his desk, is a marvellous touch.
Jek, like Morgus, is a masterful villian. Gable's voice & gestures are perfect. He conveys the complex character & its many contradictions using only these things & one eye. Once or twice he teeters on the edge of OTT, but always pulls back just in time. He & Morgus are a formidable duo. It is so rare in the history of the show to behold two classic humanoid villians in one story. Most stories have trouble raising one that is in any way memorable. Jek's love for Peri's innocence & beauty, which in the end almost redeems him, is beautifully played & utterly believable as she lays sweating, suffocating & barely conscious. Gable plays the desperation wonderfully; feverishly mopping her brow & trying to comfort her while the Doctor hunts for the bats milk.
Which brings me to Davison. I hope I haven't exhausted my superlative supply because he deserves to have lots of them shining on his sitting room mantle. The smiling, optimistic & energetic Doctor of early Davison era has been replaced by a stone dry, impatient, dour & no-nonsense demeanour that suits the story perfectly. Davison gives his swansong absolutely everything he has. His ailing Doctor, whether spitting out a very hard to deliver (but stunningly believable) "I'm not going to let you stop me now!", or panting & staggering through endless dunes while being chased & shot at, is compelling to watch.
I was impresssed by the effectiveness of the scenes of the Doctor being chased through the dunes & later carrying Peri back to the TARDIS. The grainy film stock & grey skies combine with the rumbling soundtrack to conjur some of the most striking scenes in the history of the show. This in an era that generally suffered from cheap glossy videotape, garish costumes & ham-fisted overhead lighting. Hats off to (Graeme) Harper! You forget for several minutes at a time this was an early/mid 80's JNT story! The incidental music, although uniformly strong through JNT's first few seasons, is particularly atmospheric & foreboding in Caves.
The Davison/ C. Baker regeneration is probably the greatest in the history of the show. The tension of the moment was never greater before or since. The Doctor saves Peri on the point of death & collapses with the immortal, fearful line that Davison nails; "Is this death? feels different this time". The Master's malicious taunts followed by the 'white noise' cacophany is the stuff of fan boy foam & froth. Stunning. Even Colin's brief moment shows qualified promise. He is immediately arrogant & salty, but with no warning of the mugging, bickering buffoon that would emerge in the worst moments of the following season. So not even the last scene can spoil the grandeur of Caves.
Caves...thou art shining with glowing phosphoresecent glory!....
Lucozer..
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